A particular mix of bloody mayhem and wisecrack humor.Multiple characters, broadly and quickly sketched.TYPICAL ELEMENTS OF THE SIEGE FILM, LARGELY CREDITED TO DIE HARD For another, McClane's wife Holly (Bonnie Bedelia) is the only corporate executive to successfully tangle with terrorist leader Hans Gruber (Alan Rickman, in the icy, witty role that made him a bankable baddie).
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For one thing, over the course of the movie McClane loses his absolutist stance on his marriage specifically, he gets it beaten out of him. But while the class conflict is certainly there (and, let's face it, a big part of the movie's appeal), the story's too nuanced to serve as mere antifeminist propaganda. It's been argued that the above plot frame is nothing more than a patriarchal blue-collar fantasy a less-educated white guy saves corporate doofuses and his overly assertive wife by conquering effeminate, high-class thugs in a phallus-shaped exploding tower. Their reunion is more than tense: her corporate headquarters is besieged by ruthless international terrorists, and McClane must save the hostages, single-handedly and without shoes." on Christmas Eve expecting a tense reunion with his estranged wife, who moved west with their children when her career took off. I can't sum it up any leaner than DVDJ's own Greg Dorr, who reviewed the original, non-anamorphic single-disc release back in 1999: "New York cop John McClane (Bruce Willis) flies into L.A. But Die Hard has strength of story on its side, not to mention a certain genius of fusion it took the 1970s disaster film, pureed it with '80s action-movie tropes (typified up to that point by Lethal Weapon) and single-handedly resurrected the "siege film," a genre last visited around, say, The Taking of Pelham One Two Three.
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It starred an unproven comic actor from a faddish TV show it was helmed by a junior director (John McTiernan had Nomads and Predator under his belt) and it had that stupid car-battery pun of a title.
People forget how silly Die Hard looked on paper in 1988. Well aside from the fact that 1988's Die Hard is terrifically entertaining action/suspense filmmaking I'd argue that this flick (along with maybe Blade Runner) had more influence on '90s Hollywood filmmaking than any other '80s film. if you're only interested in the extras.) The Die Hard two-disc "Five Star Collection" DVD. David Foster Wallace, A Supposedly Fun Thing (The formulaic inexorability of these villains' defeat does give the climaxes an oddly soothing, ritualistic quality, and it makes the villains martyrs in a way, sacrifices to our desire for black-and-white morality and comfortable judgment.I think it was during the original Die Hard that I first rooted consciously for the villain.)" Think of movies like Fatal Attraction and Unlawful Entry and Die Hard I-III and Copycat, etc., where we're so relentlessly set up to enjoy the villain's bloody punishment in the climax that we might as well be wearing togas. Typical Hollywood concept pitch during the 1990s James Shigeta, Hart Bochner, De'voreaux White, The DVD Journal: Die Hard: Five Star Collectionĭie Hard: Five Star Collection Fox Home Video Starring Bruce Willis, Alan Rickman, Bonnie Bedelia,Īlexander Godunov, Reginald VelJohnson, William Atherton,
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